• Co-directed by Ross Silcocks and Helen Hines. Starring Keke Sol, Roxy and Alina

  • Currently at Film Festivals Worldwide

  • Shot and edited by Ross Silcocks. It starts like a fantasy. It ends like a warning. A seductive sleepover spirals into something far more sinister as three women pull you into their world playing with desire, control, and illusion. Like modern sirens, they lure you in under soft, playful pretences… only to consume you completely.

  • Popcorn came from an interest in how easily we are drawn toward things that feel good on the surface, without questioning what sits beneath.

    I wanted to explore seduction not as something romantic, but as something disarming—something that lowers defences. The film plays with that tension, pulling the viewer into a familiar, intimate space before gradually shifting control away from them.

    The three women aren’t just characters—they represent a collective force. Something ancient, instinctive, and quietly predatory. They don’t chase. They invite.

    Visually, the film leans into contrast—softness and violence, beauty and discomfort, control and chaos—creating an experience that feels immersive rather than explained.

    At its core, Popcorn is about surrender. And what it costs.

  • Co-directed by Ross Silcocks and Helen Hines. Starring Keke Sol, Roxy and Alina

  • Item description

  • Shot and edited by Ross Silcocks. It starts like a fantasy. It ends like a warning. A seductive sleepover spirals into something far more sinister as three women pull you into their world playing with desire, control, and illusion. Like modern sirens, they lure you in under soft, playful pretences… only to consume you completely.

  • Popcorn came from an interest in how easily we are drawn toward things that feel good on the surface, without questioning what sits beneath.

    I wanted to explore seduction not as something romantic, but as something disarming—something that lowers defences. The film plays with that tension, pulling the viewer into a familiar, intimate space before gradually shifting control away from them.

    The three women aren’t just characters—they represent a collective force. Something ancient, instinctive, and quietly predatory. They don’t chase. They invite.

    Visually, the film leans into contrast—softness and violence, beauty and discomfort, control and chaos—creating an experience that feels immersive rather than explained.

    At its core, Popcorn is about surrender. And what it costs.

  • Co-directed by Ross Silcocks and Helen Hines. Starring Keke Sol, Roxy and Alina

  • Featured on NOWNESS

  • A metaphorical exploration of drowning in the ongoing challenges for survival, Ford takes an aquatic journey towards inner peace, pursuing their right to exist in direct opposition of judgements cast upon them. 

  • Breathe In provides a stage for Ford’s emotionally charged poetry, set against a haunting original score by electronic music artist/producer Chloe ‘BLØØM’ Rona, and sound designer Aron ‘Myth’ Levi.

Directed by Ross Silcocks, with art direction by Martin Perry.

Breathe In provides a stage for Ford’s emotionally charged poetry, set against a haunting original score by electronic music artist/producer Chloe ‘BLØØM’ Rona, and sound designer Aron ‘Myth’ Levi. A metaphorical exploration of drowning in the ongoing challenges for survival, Ford takes an aquatic journey towards inner peace, pursuing their right to exist in direct opposition of judgements cast upon them. 

BREATHE IN (PG) - FULL ARTICLE HERE

  • Co-directed by Ross Silcocks and Helen Hines. Starring Keke Sol, Roxy and Alina

  • Item description

  • Shot and edited by Ross Silcocks. It starts like a fantasy. It ends like a warning. A seductive sleepover spirals into something far more sinister as three women pull you into their world playing with desire, control, and illusion. Like modern sirens, they lure you in under soft, playful pretences… only to consume you completely.

  • Popcorn came from an interest in how easily we are drawn toward things that feel good on the surface, without questioning what sits beneath.

    I wanted to explore seduction not as something romantic, but as something disarming—something that lowers defences. The film plays with that tension, pulling the viewer into a familiar, intimate space before gradually shifting control away from them.

    The three women aren’t just characters—they represent a collective force. Something ancient, instinctive, and quietly predatory. They don’t chase. They invite.

    Visually, the film leans into contrast—softness and violence, beauty and discomfort, control and chaos—creating an experience that feels immersive rather than explained.

    At its core, Popcorn is about surrender. And what it costs.

popcorn film

A daring and professional collaboration between Ross Silcocks and artist Keke Sol. This improvisational approach explores lust and gluttony in this sweet and visceral blood soaked sleepover.

The Popcorn film is currently at film festivals 20/05/24